Dubai Torch Tower fire 21 Feb 2015

So this tower didn't collapse by fire like WTC 7 did on 9/11 and WTC 7 was in fact brought down by demolition as Architects and Engineers for 9/11 Truth say - see
:
Architects and Engineers for 9/11 Truth -video
Richard Gage talked about his group, Architects and Engineers for 9/11 Truth, which claimed that the World Trade Center was brought down by explosive demolition on September 11, 2001. The group was founded in 2006 and said its mission was to “expose the official lies and cover-up surrounding the events of September 11, 2001 in a way that inspires the people to overcome denial and understand the truth.” Mr. Gage spoke via video link from San Francisco, California.
http://www.c-span.org/video/?320748-5/washington-journal-architects-engineers-911-truth

Read the complete truth in this pdf:

[PDF] Made In Israel - Constitutional Republic Now!Did the BBC report the fire before the tower actual

ly caught fire, as in the case of WTC 7?   :-)

Google:
BBC Reported Building 7 Had Collapsed 20 Minutes Before It FellA huge fire engulfed one of the world's tallest residential tow
THEY WANT THE HIGHEST BUILDING !!!???
GOD PUNISHED THE ARROGANT CAMEL_
HERDERS.

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Thermal Flame Cut Basement Columns. Pictures taken after the collapse showed some basement steel columns appeared to have been flame cut.
Thermal Flame Cut Basement Columns. Pictures taken after the collapse showed some basement steel columns appeared to have been flame cut.

THEY WANT THE HIGHEST BUILDING !!!???

GOD PUNISHED THE ARROGANT CAMEL_

HERDERS.

ers in Dubai's Marina district, sending bright yellow flames several stories high, but there were no reports of casualties, civil defence officials said.
The fire broke out at about 2am on Saturday in the 86-storey Torch tower on the northeast end of the densely populated district, which is packed with multi-storey skyscrapers.
High winds whipped through the area and debris from the fire cluttered nearby streets after the blaze appeared to be extinguished.
The civil defence officials, who spoke on condition of anonymity, said there were no reports of deaths or injuries.
The cause of the fire was not immediately clear.
The Marina area is home to dozens of towering apartment blocks and hotels, many of them built over the past decade. The apartments are popular with Dubai's large number of expatriate professionals.
Police blocked off areas around the 336 metre-high Torch tower, which still had power. Lights were on in many of the apartments inside and multiple fire trucks and police vehicles were on the scene.
Residents of at least one neighbouring tower were told to evacuate as a precaution because of strong winds, but they were later allowed back inside.
One witness said the fire started in the middle of the tower before spreading down, describing it as like "the Titanic going down". Flaming material falling from the initial fire then set a lower part of the building ablaze, witnesses said.

Torch tower resident Steve Short, 53, of Liverpool, England, praised the work of firefighters who arrived quickly. He said fire alarms alerted residents to the blaze and building management sent workers knocking on doors to ensure residents got out.
Resident RJ Morlock, 33, of Houston, shot video on his phone that showed bright yellow flames reaching what appeared to be several storeys on two separate parts of the building. He said residents were nervous coming out but fire crews were able to bring the situation under control.
"I was really surprised they got it under control pretty quickly," he said. "It looked like it was going to go up."
As daylight broke, residents waiting across the street to be allowed back home were able to see the extent of the blaze: External cladding on the corner of more than two dozen storeys from roughly the 50th floor to the top were mangled and charred black.
Cleanup crews dressed in orange uniforms swept up pieces of shattered glass and other debris covering the street outside the building.

Whiplash: Best Picture - Oscars 2015 - Andrew Miles Teller, Terrence Fletcher - J.K. Simmons

Haha, no, sorry. I'm at a state school in upstate New York because it's about all I can afford. But they have a good video production program, especially for the money. Hoping to end up somewhere someday, even though I'm not going to the world's greatest film school (whatever that may be - NYU or a UC school or whatever).
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Oh, a *State* school. No, you're not. I was referring to the Park School of Communications at Ithaca College. Fine video production program and a truly excellent conservatory. Apologies.

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Yeah, the school I go to has the #1 rated music program in the country, so I have lots of friends who are music majors that I need to get to see this with me.

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Screamin' J.K. Simmons needs to be a meme, I feel there are endless possibilities for photoshopping that image of him into other images.

It would be easy for a character actor with a role that juicy—one that feels like an Oscar turn for a man who’s long overdue for such accolades—to go crazily over the top, to play him with expectorating, scenery-devouring excess. But Simmons brings an appropriately musical sense of precision to everything the character does, from the careful way he hangs up his hat and jacket upon entering a practice space to the staccato rhythms of his verbal tirades, which are so extreme and intricately worded that they’re liable to have audiences squirming in their seats as well. When Fletcher goes off, he doesn’t just seem mad at whatever hapless student happens to be disappointing him at the time. He seems enraged at the world in a way that threatens to shatter the fourth wall.

Simmons completely dominates Whiplash, but he isn’t its protagonist. That distinction belongs to Miles Teller as Andrew Neyman, a quiet young man of modest origins who has channeled all his energy and ambition into becoming one of the greatest drummers alive. Fletcher takes an interest in Andrew, but from the beginning, his mentorship has a harsh, even abusive edge. It’s unclear whether the rigor of practice sessions, rich in psychological torture and sweaty breakdowns, will push Andrew and his cohorts to greatness, or destroy them on a spiritual level.

Whiplash derives much of its thrilling unpredictability from its principled unwillingness to reveal what kind of movie it will ultimately be. Is it an unusually tense, dark, and profane example of the subgenre where a passionate but unconventional mentor leads his charges to greatness through exhausting but ultimately productive means? Or is it a grim dual character study about how the pursuit of greatness, when removed from any other considerations, including empathy and concern for other people, can transform people into monsters? At times, Whiplash suggests a dark riff on an early Tom Cruise movie, with Teller in the Cruise role of the obsessed hotshot committed to being the best in the world, and Simmons as the hardass mentor (think Robert Duvall in Days Of Thunder, Paul Newman in The Color Of Money, or Tom Skerritt in Top Gun) who pushes his protégés to heights they never imagined possible.